Henryson's Cresseid

Older Scots Reading 1

Chapter 5 · Henryson's Cresseid

📜 Henryson's Cresseid

Seven lines from one of the best-known poems in Older Scots: a stanza in which the narrator speaks straight to a woman whose story he has been telling, and says he will not blame her. Because he addresses her as "thou", this chapter is also the first to read the second-person forms in Scots. Wikipedia's article prints the stanza without a translation, so the glosses are mine.

The text in one box Robert Henryson, The Testament of Cresseid, a poem of 616 lines in Middle Scots by a "15th-century Scottish makar" (the article's phrase). It imagines a tragic fate for Cressida that Chaucer's Troilus and Criseyde left untold. It is in rhyme royal, seven-line stanzas of iambic pentameter rhyming ABABBCC; the Complaint inside it, where Cresseid laments from the leper colony, uses nine-line stanzas. The article gives no exact date. A modern English translation by Seamus Heaney, published in 2009 with seven of Henryson's fables, is mentioned in the article; I have not read it.

The text

LineOlder ScotsGloss (mine)
1Yit nevertheless, quhat ever men deme or sayYet nevertheless, whatever men judge or say
2In scornefull langage of thy brukkilnes,in scornful language of your frailty,
3I sall excuse als far furth as I mayI shall excuse as far forth as I may
4Thy womanheid, thy wisdome and fairnes,your womanhood, your wisdom and fairness,
5The quhilk fortoun hes put to sic distreswhich Fortune has put to such distress
6As hir pleisit, and nathing throw the giltas it pleased her, and nothing through the guilt
7Of the throw wickit langage to be spilt!of you through wicked language to be spoiled!

Source: Wikipedia, The Testament of Cresseid, the passage the article introduces with "The most explicit statement of this breaks through in the passage:", as the page tool gave it. The article prints no translation and no glosses (some words link to dictionary entries that I did not read). The glosses are mine and unverified; lines 5 to 7 are the least certain.

The rhymes follow ABABBCC: say / may (A), brukkilnes / fairnes / distres (B), gilt / spilt (C). That matches the scheme the article gives for the poem.

Walking through it

  1. The second person. thy appears in lines 2 and 4 and means "your" (singular): the narrator is speaking to Cresseid. the in line 7, Of the, is the object form "thee", not the article. Middle English Grammar 1, Chapter 5 listed þe and þi / ti for these forms; here the spellings are the and thy, with th for thorn.
  2. Verbs. sall is "shall" (as in Chapter 2). hes is "has", a 3rd singular with -s, in line with the -es variant of Middle English Grammar 1, Chapter 6; Chapter 7 gave haþ. pleisit ends in the Scottish past -it (Chapter 1). wickit carries the same ending but works as an adjective, "wicked".
  3. No ending after men. deme or say have a plural subject, men, and no -is, -en or -eþ. A bare form is not one of the plural endings Middle English Grammar 1, Chapter 6 listed, and the sources I read do not say why. I note it only.
  4. Letters. quhat and quhilk have quh- for wh-; Yit begins with y ("yet"); throw is "through"; scornefull has a doubled l where we write -ful, and langage lacks a u.
  5. Word endings. womanheid ends in -heid ("-hood"), and brukkilnes and fairnes in -nes ("-ness"). These are my readings from the sense and from Modern English.
  6. The relative clause. The quhilk ("the which") joins line 5 to line 4: it refers to her womanhood, wisdom and fairness. fortoun is the subject of hes put: Fortune has put them to distress. That reading is mine.
  7. The hardest part. Lines 6 and 7 can be read more than one way. I read them as "as it pleased her (Fortune), and not at all through the guilt of you, to be spoiled through wicked language". The wording of the gloss is a guess from the sense, and the article gives nothing to check it against.
  8. Small words. als ("as"), sic ("such"), nathing ("nothing"). These are my readings; the article's links to dictionary entries were not read.

New words

Older ScotsMeaningModern English relative
demejudge, thinkdeem
scornefullscornfulscornful
brukkilnesfrailty, brittleness (my reading)brittleness
excuseexcuseexcuse
womanheidwomanhoodwomanhood
fortounFortunefortune
giltguiltguilt
spiltspoiled, ruined (my reading)spilt (a different sense)
Watch out the in line 7 is "thee", not "the". gilt is "guilt", not metal. spilt does not mean "spilled" here: the line needs "spoiled" or "destroyed". All are my readings from the sense.

Try It Yourself

Say the answer first, then click to check.

1. Who wrote the poem, and in which language is it?

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Robert Henryson, a 15th-century Scottish makar; Middle Scots.

2. What is the rhyme scheme of the stanza?

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ABABBCC: rhyme royal.

3. Translate I sall excuse als far furth as I may.

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"I shall excuse as far as I can."

4. Who is thy in line 2 addressed to?

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Cresseid, the woman the narrator is speaking to.

5. What does the mean in Of the throw wickit langage?

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"Thee" (you), the object form, not the article.

6. Which past forms end in -it?

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pleisit and wickit.

7. What does quh- stand for in quhat and quhilk?

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wh-: "what" and "which".

8. Which three words rhyme in lines 2, 4 and 5?

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brukkilnes, fairnes, distres.

9. Why is the gloss of lines 6 and 7 uncertain?

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The lines can be read more than one way, and the article prints no translation or glosses to check against.

10. Who is the subject of hes put?

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fortoun: Fortune.

Note on sources The seven lines, the stanza and rhyme details, the length of 616 lines and the note on Heaney's translation come from Wikipedia's The Testament of Cresseid, as the page tool gave them. The article gives no exact date and no translation of the passage. I read no edition or manuscript, and I did not read Heaney's translation. The glosses, the grammar notes and the vocabulary table are mine and unverified.
Coming up in Chapter 6: Lyndsay's Satyre. A few lines of the 1602 text of Ane Pleasant Satyre of the Thrie Estaitis, with stage directions.