MUSIC THEORY FUNDAMENTALS - Chapter 5, Exercise 2 Solution ========================================================== Building the G7 (Dominant 7th) Chord PROBLEM ------- A dominant 7th chord is a major triad plus a minor 7th. Build the dominant 7th chord on G (i.e. G7), and name all four notes. SOLUTION -------- Step 1 - Build the G major triad (major 3rd + minor 3rd, per this chapter's own triad table): G -> B (G to B is 4 semitones = major 3rd) B -> D (B to D is 3 semitones = minor 3rd) G major triad = G - B - D Step 2 - Add a minor 7th above the root, G. A minor 7th is 10 semitones above the root (per Chapter 4's own semitone-count table): G + 10 semitones = F (counting up from G: G#/Ab, A, A#/Bb, B, C, C#/Db, D, D#/Eb, E, F - that's 10 half steps, landing on F) ANSWER: The G7 (dominant 7th) chord is G-B-D-F. ---- WHY THIS WORKS AS AN ANSWER This matches the chapter's own stated definition and example pattern exactly - the dominant 7th chord on C was shown as C-E-G-Bb (a major triad, C-E-G, plus a minor 7th above the root, Bb). Building G7 the same way produces the identical structure one perfect fifth higher: G major triad (G-B-D) plus F, the minor 7th above G - the same major-triad-plus- flatted-seventh pattern that defines every dominant 7th chord regardless of which root it's built on.