Modern Political Mythology
Mythology and Its Place in History
Chapter 8 · Modern Political Mythology: Propaganda & the 20th Century
Nazi Germany, Case 1: A Legend Built to Explain a Real Defeat
Germany had lost the First World War on the battlefield — a real, military, documented outcome. Rather than accept that, Field Marshal Paul von Hindenburg appeared before the Weimar National Assembly's own investigative committee into the causes of Germany's defeat and, reading a statement prepared by General Erich Ludendorff, declared: "as an English general has very truly said, the German Army was 'stabbed in the back.'" The claim — that treacherous internal forces, coded specifically as Jews, socialists, and communists, had betrayed an undefeated army — became known as the Dolchstoßlegende, the "stab-in-the-back myth."
Nazi Germany, Case 2: Manufacturing Corroboration for a Myth
Heinrich Himmler and scholar Herman Wirth founded a real SS research institute, the Ahnenerbe, dedicated to producing pseudo-scientific "proof" of Aryan racial superiority through archaeology and anthropology. It financed real, genuine excavations and expeditions across a decade — including a 1938–39 SS mission to Tibet, led by zoologist Ernst Schäfer with anthropologist Bruno Beger, sent specifically to search for evidence linking Tibetans to a claimed ancient Aryan race, and for the mythical kingdom of Agartha some Nazi occultists believed might hold Aryan origins. The expedition's members genuinely measured skulls and collected anthropological data in service of a conclusion decided in advance.
The Soviet Union, Case 1: A Film That Replaced the Event It Depicted
Commissioned for the Revolution's own tenth anniversary, Eisenstein's film re-created the storming of the Winter Palace as a sweeping, thousands-strong battle. The real 1917 event, by contrast, involved roughly a hundred Bolshevik sailors and soldiers meeting minimal resistance — a real, documented account of a far smaller, far less dramatic night than the film portrays. The filmmakers reportedly detonated more ordnance staging the reenactment than the actual Red Army used in the genuine 1917 event, and more people were injured making the film than during the real storming itself.
The Soviet Union, Case 2: Editing People Out of Photographs
In April 1937, Nikolai Yezhov — then head of the NKVD secret police, presiding over the mass arrests and executions of Stalin's Great Purge — was photographed walking alongside Stalin along the Moscow-Volga Canal. Yezhov himself fell from favor the following year, was secretly tried, and was executed in February 1940. Soviet photo retouchers then removed him entirely from the original photograph, filling the gap where he had stood with painted-in water — a genuinely pointed detail, since Yezhov had also held the real title of Commissar of Water Transport. Design historian David King, who later uncovered and cataloged thousands of comparably altered Soviet photographs in his book The Commissar Vanishes, documented this as routine, ad hoc practice: a quiet word from the right official was enough to erase a person from the visual record entirely.
A Structural Problem This Course Has to Name Directly
Running the Toolkit
| Dolchstoßlegende | Ahnenerbe | October (1927) | Yezhov Photograph | |
|---|---|---|---|---|
| Who benefits? | Military high command, later the Nazi Party | The Nazi regime's own racial ideology | The Soviet state's founding legitimacy | Stalin's regime, erasing a purged rival |
| Medium | Testimony, then mass political rhetoric | State-funded "science" | State-commissioned cinema | State-controlled photography |
| Real record altered? | No — reinterpreted, not fabricated | Genuine expeditions, predetermined conclusions | A real event dramatized, then mistaken for the record itself | Yes — the photograph itself was directly edited |
What This Does — and Doesn't — Establish
| A claim this evidence supports | A claim it does not support |
|---|---|
| Both regimes used real, documented, state-controlled institutions to manufacture or alter historical evidence, not merely to interpret existing evidence | Every Nazi-era archaeologist or Soviet-era photographer personally believed they were fabricating history — many likely believed the conclusions they were told to find |
| The Ahnenerbe's real expeditions produced genuine anthropological data collected under false pretenses | The data itself proved anything about actual Aryan racial origins — the conclusions were predetermined, not derived |
| October's own reenactment genuinely fooled real news agencies at the time, per the documented historical record | Every subsequent Soviet-era account of the Winter Palace storming relied on the film rather than genuine testimony |
Questions to Sit With
Chapter 1's toolkit assumed a historian could check a myth against an independent physical record. What tools do you think a historian actually has left when the physical record itself has been state-manufactured or altered?
The Ahnenerbe used real scientists and real expeditions to manufacture false corroboration. Does knowing the method looked genuinely scientific change how dangerous you think it was, compared to a myth that never bothered with any evidence at all?
October's reenactment footage fooled real news agencies within a decade of the actual event. In an age of far more easily manipulated digital images and video, what do you think has genuinely changed since 1927 — and what hasn't?
Quick Reference — Chapter 8
- The Dolchstoßlegende originated in Hindenburg's real 18 November 1919 testimony before the Weimar National Assembly, blaming Germany's WWI defeat on internal betrayal rather than accepting real military defeat
- The Ahnenerbe (founded 1 July 1935) used real SS-funded expeditions — including the 1938–39 Tibet mission — to manufacture false scientific corroboration for predetermined Aryan racial claims
- Eisenstein's 1927 film October dramatized the Winter Palace storming with more ordnance and casualties than the real 1917 event, and its footage was later mistaken by real news agencies for genuine historical photographs
- Nikolai Yezhov was airbrushed out of a real 1937 Stalin photograph following his 1940 execution — one of thousands of documented Soviet photo alterations cataloged in David King's The Commissar Vanishes
- Both regimes reveal a real structural limit in this course's own toolkit: "what does the physical record say" only works as a check when the record itself isn't controlled by whoever benefits from the myth
What's Next
Chapter 9: Historians vs. Myth: The Development of Critical Historical Method.