Challenge 3 — Solution Task: A user wants a lesson built from the full lyrics of a song currently in the commercial charts. Using L7, explain what CAN and CANNOT be generated, and why the distinction exists. What CANNOT be generated: the full song: format - a line-by-line lesson reproducing the actual lyrics (in the target language, with transliteration where relevant, alongside the English original). L7 is explicit that song: may only be used with lyrics that are genuinely copyright-free - public domain, traditional/folk material, or original content written specifically for the lesson. A song currently in the commercial charts is about as far from that as a song can get, so this request should be flagged rather than proceeded with silently. What CAN be generated instead: the songvocab: format - a vocabulary- only extraction. This pulls out individual, noteworthy words from the song, translated and grouped by part of speech, with NO reproduction of the lyrics themselves in any form - no line-by-line translation, no romanized full lines, no quoted lyric fragments even as usage examples (an original example sentence would be written instead, if one were needed for a vocab entry). Why the distinction exists: translating and reproducing a song's own lyrics line by line - even with vocabulary annotations layered on top - is still reproducing the copyrighted work, since translation is itself a derivative work protected the same as the original. Individual, decontextualized vocabulary words extracted from a song are different in kind: isolated words and their plain translations aren't the protected creative expression a song actually consists of - the specific sequence, phrasing, and arrangement of those words is what copyright protects, and songvocab: deliberately never reconstructs any of that. Notes: - This mirrors a distinction the site draws elsewhere too (the site's own general copyright-quoting rules) - a short, isolated fact or word can usually be used safely, while reproducing a substantial, ordered piece of someone else's actual creative expression cannot, regardless of how it's dressed up (translated, annotated, etc.). - If there's a real reason to doubt whether a specific song actually is public domain or traditional before using the full song: format, L7 says to ask rather than assume - the responsibility for confirming copyright status ultimately sits with whoever requests the lesson, but a genuinely doubtful case is still worth raising rather than silently trusting.